Film 47: The Dresser
My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.
It was The Day Of The Jackal last time, following on from The Duellists. Can we make it three knock-outs in a row?
It’s my choice this time around. Last time I suggested we might stick with Edward Fox for a while but, in the interests of completeness, I had a look through a few different filmographies. It’s disappointing how much crossover there is between The Day of the Jackal and Run For Your Wife. I’ve seen a little bit of Run For Your Wife. I will never watch any more of it. It really is as bad as you might think, and I don’t mind a bit of whoops-where’s-my-trousers-sorry-vicar farce.
So in the end I kept coming back to Edward Fox and a few film in particular:
The Shooting Party (1985)
I really don’t know much about this, other than James Mason, John Gielgud and Edward Fox star, and it’s set during a shooting retreat just prior to the First World War. I’m thinking a more intense Downton Abbey with all the female roles expunged.
The Jokers (1967)
This is a crime caper written by Ian Le Frenais and Dick Clement, and starring Michael Crawford and Oliver Reed. Hugely tempting.
A Bridge Too Far (1977)
It’s three hours long, so keeps being an almost-ran. One of these days…
The Dresser (1983)
Albert Finney and Tom Courtenay star as an aging actor and his dresser. Pretty much all set backstage during one production of Lear. It’s been on my must-watch list for years. So long in fact that I couldn’t help but pick it this time.
It’s… Edward Fox. Do keep up. He had an incredible air of detached authority in The Day Of The Jackal, rumpled class in The Duellists, how will he be in The Dresser? I’m guessing louche, but we shall see.
The Dresser and me
Okay, this is one I really should have seen. I trained and worked as an actor for a few years, so should have been lapping up theatre-related films. In fact when I saw – and loved – Black Swan, one of the things I loved most about it was the realistically unglamourous way it portrayed the rehearsal/backstage process. So a film all about the backstage goings on? Surely my soya-meat and drink.
Plus, before The Dresser was a film it was a play. I’ve scoured plays for speeches and two-handers over the years, but somehow, despite knowing the setup of The Dresser, never read it.
And finally, it’s got Albert Bloody Finney in it. I need to see a lot more Finney. He’s an incredible actor, and I could watch him in Miller’s Crossing every day and not get bored. Here he is in all his glory (may spoil the finest scene if you’ve not seen it): https://www.youtube.com/watch?v=_le4xh-XV3c
An effeminate personal assistant of a deteriorating veteran actor struggles to get him through a difficult performance of King Lear. 7.7 stars
Well that was a tour-de-force from Albert Finney and Tom Courtenay. My word. They both received Oscar nominations for Best Actor and I can see why. Who won? Robert Duvall for Tender Mercies. Whatever that is. Maybe we’ll tackle it soon.
Anyway, what struck me was this quote from the director Peter Yates:
“If I can make a film which will get more people to go to the theatre, I will feel I have achieved something.”
I can see what he means, but in a way the film had the opposite effect on me. It put me off the theatre. And that’s not because I didn’t like the film – I loved it. But the reminder of all the sweat and tears and agony that goes into putting a show on highlighted that I’m not sure it’s worth it. For the actor. And that’s probably why I’m not still acting! It’s shown as the herculean effort that it is – heightened by the particular circumstances of Albert Finney’s Sir, and bravo for shining light on the damp, cramped, fractious experience. It’d make for an interesting double bill with Black Swan – show those two to someone who you has ambitions to perform and they’ll give it all up in heartbeat.
The other film Peter Yates directed that year? Krull.
Incidentally, I was right. Edward Fox was indeed louche as Oxenby. What a cad.
Stunning performances and a handy reminder for me of why I shouldn’t resume life on the stage any time soon.
Well. There’s plenty more Fox in the den, so to speak. However… We’re going to see a triple bill of Paul Verhoeven films at the cinema soon – Robocop, Total Recall, Starship Troopers in that order. And those link to each other by shared actors. It’s like they’re crying out to be included in the CRFC. If we can get to Robocop in time…
So, as it’s Tim’s choice, he’s going to have a quick shufti to see how appealing that is…