Interesting things are happening in SFF and other ‘genre’ fiction right now. Having been looked down on for decades (centuries?) it’s increasingly looking like mainstream cultural and critical acceptance is on the cards. Why do I think this? And why now?
The last two ‘blockbuster’ exhibitions at the British Library were devoted to comics/graphic novels and Gothic fiction. The BFI have a sweeping Sci Fi season on at the moment. The BBC are getting in on the act and have sci fI documentaries playing right now. And then there was this speech from Ursula K Le Guin (and if you haven’t read her Left Hand of Darkness I suggest you stop reading this right now and get a copy).
I’ve written briefly about Interstellar already and, whatever you may think of it, there’s surely no denying it’s great to see a slab of grown up sci fi reaching a wide audience – not just robots slugging each other in the face for once. And on TV Game of Thrones has become the one to rule them all.
That’s why I think it’s happening now, but where has it come from? What’s driving it? I wonder if it’s not linked back to the phenomenon that is/was Harry Potter. The generation that were kids when the first book came out are grown up now. And through their teenage years and into early adulthood they followed Harry’s saga, with Lord of the Rings punctuating it on the big screen (along with the Potter adaptations themselves of course). It was an adolescence defined by fantastical fiction, some of the most successful ever, and it has led to an fantasy-literate adult audience broader than ever before.
That’s my theory at any rate, and I’m sure there are many other ways to spin it – capitalism following one genre success to make more money maybe, or the internet uniting disparate fantasy fans into a collective force, or something in the times we’re living through making fantasy and sci-fi appealing as either carriers for metaphor or escapism from the global recession.
I’ll post something more about Harry Potter soon, but what do you think? Do you think genre fiction is ascending to its rightful place alongside ‘literary’ fiction? If so, what’s your theory?