The Aviator – The Chain Reaction Film Club

Film 42: The Aviator

The_Aviator_Poster

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

Last time we watched The Fifth Element on the 20th anniversary of its UK release. And it made me feel young again.

The Shortlist

Once again we’re bending things slightly and attempting to get to a specific film. We’re going to see Streets Of Fire at the cinema and want to include that as part of the CRFC. So it’s my choice and we need a film which has shared actors with both The Fifth Element and Streets of Fire.

Turns out that’s quite a small pool (I have discounted a few that looked bobbins, fyi).

Trespass (1992)

The Aviator (2004)

Chaplin (1992)

Lucky Number Slevin (2006)

Basquiat (1996)

The Choice

I’ve seen Chaplin and The Aviator before; I’m well up for a Chaplin rewatch – I remember Robert Downey jr’s performance being sensational – and I only watched The Aviator in fits and spurts while doing other things so need to reappraise properly. Tim has seen Lucky Number Slevin recently so I guess I’ll have to watch that on my own time.

Trespass stars both Ice T and Ice Cube which makes me happier than it should. It sounds like a very standard actiony thrillery thing but there’s the lingering sense we can do better. Basquiat is a more unusual choice – neither of us are particularly keen on modern art, but the cast is pretty exciting…

In the end the lure of Di Caprio and Scorcese won me over. Time to take a proper look at The Aviator.

The Link

Ian holm

The man knows how to rock a bow tie. Ian Holm in The Aviator

Ian Holm is the common ground between The Fifth Element and The Aviator. I listed his performance as one of the key things that makes The Fifth Element so great – he has an almost childish naivety that makes for some excellent comedy. It’s sometimes hard to remember that he’s the same man that gave me nightmares by spewing that horrible white porridgy stuff in Alien. He’s never just a safe pair of hands, he always seems to bring something more to a role.

It’s a shame that I’ve never seen him on stage, as I think he’d be spectacular. I can envisage him and Anthony Sher fighting over similar roles… Actually, having had that thought I’ve looked up his stage career – after a bout of stage fright in 1976 he has apparently only returned to the stage a handful of times. Oh to have seen his Lear in 1997!

The Aviator and me

As I mentioned above, I have seen this before but without really paying it proper attention. The only thing I really remember is Cate Blanchett’s accent.

I’m a big fan of the Leo/Marty pairing. I’m not generally a fan of crime films for some reason, but The Departed has become one of my favourite films. I loved Shutter Island and The Wolf of Wall Street too. The physical comedy that Scorcese gets out of Di Caprio in the latter is sensational.

The film is about Howard Hughes, I recall that much. Hughes is one of those names that I know more from pop culture spoofs than anything else – Mr Burns’ Spruce Moose, Tony Stark’s look (more recently Tony Stark’s dad’s look)… To be honest I get him a bit muddled with Howard Hawks. But then I get Eva Braun and Ava Gardner muddled too, so what do I know? Actually, having googled a bit it turns out that Hughes and Hawks co-directed at least one film. So that doesn’t help me much.

IMDB says

A biopic depicting the early years of legendary director and aviator Howard Hughes’ career from the late 1920s to the mid-1940s. 7.5 stars.

I says

the-aviator-still

This is how we started the film: optimistic, eyes to the horizon…

Well IMDB is right, it’s certainly a biopic depicting the early years yadda yadda yadda.

It’s a sumptuously made biopic depicting yadda yadda yadda. The costume budget alone was 2 million dollars.

It’s also an interestingly shot biopic depicting yadda yadda yadda. The colour of the film changes to reflect the film colourisation techniques of the 20s to 40s.

And Cate’s accent (playing Katherine Hepburn) is brilliant. She’s a hair’s breadth away from being in The Hudsucker Proxy, which is almost the highest level of praise I can heap on anyone.

It’s hard to get excited though. Maybe if I were more interested in aviation? But the sight of Hughes obsessing and spending millions pursuing his passion is a bit… dull. And when the inevitable downturn comes around the 90 minute mark it feels like it could all be wrapped up in 20 minutes. But somehow there’s another hour and twenty to go.

Di Caprio is fine, he’s clearly perfecting that intense, wounded stare that’s served him well over the last decade and a bit – he almost seems to vibrate with internal rage or sorrow. The supporting cast is as fantastic as one might expect – Ian Holm is in excellent quasi naive form as a scientist out of his depth in a memorable breast-measuring scene. The likes of Alan Alda, Alec Baldwin and Frances Conroy give everything a boost too.

Maybe it’s a biopic thing. If I’d chosen Chaplin perhaps I’d be saying exactly the same – fine performances but ultimately not very affecting. But I’ve come out of it knowing more about Hughes than I knew going in. And from a bit of cursory googling it looks like they haven’t taken too many liberties with the truth.

I just hope I remember it slightly more this time.

aviator3

… and this is how we ended it. It was a hot day, alright?

The Verdict

Unlike the Spruce Goose, the film never really takes flight. But with 11 Oscar nominations to its credit, maybe it’s just not quite to my taste.

Coming Attractions

We’re heading to the cinema! Streets Of Fire at the Prince Charles Cinema to be precise. Because my world needs more Jim Steinman. Everyone’s world needs more Jim Steinman. It’s possible I’m also going to the Bat Out Of Hell musical in a couple of weeks…

@BornToPootle

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The Fifth Element – The Chain Reaction Film Club

Film 41: The Fifth Element

Fifth element 01

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

Last up was Silverado. It was jolly good fun indeed. The kind of film the word ‘rollicking’ was invented to describe. Even Kevin Costner had a good go, bless ‘im.

The Shortlist

It’s a very short shortlist this time. Here it is:

The Fifth Element (1997)

That’s the lot.

The Choice

We decided a few weeks ago that we wanted to watch The Fifth Element on the 20th anniversary of its UK release. And so here we are. We’re not going to make a habit of this sort of thing, as the free flowing nature of the CRFC is part of the appeal. But more on that later.

The Link

Brion James

Brion James in The Fifth Element

Brion James is the shared star. Despite being uncredited in Silverado (most of his part was left on the cutting room floor apparently), he made a notable impression. He’s one of those great character actors that’s in an awful lot of stuff (over 170 credits on IMDb), but often on the sidelines or as a villain. I know him best from either The Fifth Element itself or as Leon in Bladerunner, but I’m keen to get back to more of his work in future choices.

This is sad – he died in August 1999 at just 54. Also in August 1999 he said the following in an interview:

“I think now, in my 50s, with Robert Duvall, Albert Finney and Gene Hackman, those guys are getting up there in their 60s, it’s my time. And I’m making sure that I push myself into their slot. So, my best work’s coming.”

 

The Fifth Element and me

I missed The Fifth Element on the big screen. I was 16 and into sci-fi, so I’ve no idea what I was thinking. I seem to remember the press was fairly negative about it, but that wasn’t something I paid much attention to. I just didn’t go to the cinema that much then. Idiot.

Somewhere around 18 months later (I thought sooner, but just double checked some dates) I was in Our Price in Tunbridge Wells, where I’d end up working for a couple of years after leaving school, and saw Lock, Stock and Two Smoking Barrels and The Fifth Element in a 2-for-£12 deal on VHS. Money changed hands, I went home and watched them, and fell absolutely in love with The Fifth Element (and, for a long time, Milla Jovovich). I’ve watched it fairly regularly since, though not for a good five years or so. Does it hold up? Let’s find out.

IMDB says

In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr Zorg at bay. 7.7 stars.

I says

I’m going to break this up into four elements of the film. And then another. A fifth… element.

Firstly, and most importantly, if you ever play a drinking game while watching the Fifth Element, and one of you has to drink when someone says Korben, the other on Dallas, pick Dallas for the love of god. I chose poorly. It’s all plain sailing until Chris Tucker turns up and has lines such as “Korben Korben Korben Korben my man.”

Secondly, when doing a bit of research for this I noticed that Milla Jovovich was nominated for a Razzie for her performance. A RAZZIE! I spotted that before the rewatch, and wondered whether my teenage hormones had blinded me. I remembered her being pitch-perfect. Happy to confirm I was correct (unless my thirty-something hormones are blinding me). Milla is the absolute heart and soul of the film, and grapples with the made-up language, action set pieces and preposterous costumes with expertise.

Thirdly, yeah, there’s some weird stuff. A LOT of characters ogle Milla. Like, a lot. It’s not that much of a surprise that the director, Luc Besson, started production of the film in a relationship with the actress who played Diva Plavalaguna, but ended it in a relationship with Milla. His hormones were quite clearly raging too. And of course she is the most manic pixie dream girl of them all. And yes, I’m sure the Supreme Being needed to be given a make-up box. Though I suppose you could argue that that says something about the priest’s inexperience with women.

Fourthly, I could watch Ian Holm and Gary Oldman in this until the cows come home. Particularly Ian Holm. He is an absolute delight.

Fifthly, it’s just fantastic. The music, a kind of weird big-beat vibe, is somewhat dated, but everything else is absolutely fresh. The world reminds me a little of Brazil – everything’s full-to-bursting. People show up for one line and deliver characters you want whole spin-off films about. It’s telling that just this week the long-awaited sequel to the game Beyond Good and Evil was unveiled in a CGI trailer, and it’s clearly inspired by the world of The Fifth Element. 20 years on and it’s getting better and better. Except Tricky. Tricky is terrible.

The Verdict

Fifth element 02

Leeloo Dallas Multipass! Autowash! Dot! It’s a b- a b- a b-! Big badaboom! Chicken good!

Apart from the music (and Tricky), it’s a timeless masterpiece. It’s a joy, from beginning to end.

Coming Attractions

Okay okay okay, so you know earlier where I mentioned we weren’t going to try and get to specific films any more? Well The Prince Charles Cinema is showing Streets Of Fire on the 16th, and a mutual friend of mine and Tim’s has mooted an outing and suggested making it part of the CRFC. So I kind of said yes.

That means we need to find a linking film between The Fifth Element and Streets of Fire and squeeze in a viewing this week. It’s definitely do-able, but there are only a few viable options…

@BornToPootle