The Dresser – The Chain Reaction Film Club

Film 47: The Dresser

Dresser 1

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

It was The Day Of The Jackal last time, following on from The Duellists. Can we make it three knock-outs in a row?

The Shortlist

It’s my choice this time around. Last time I suggested we might stick with Edward Fox for a while but, in the interests of completeness, I had a look through a few different filmographies. It’s disappointing how much crossover there is between The Day of the Jackal and Run For Your Wife. I’ve seen a little bit of Run For Your Wife. I will never watch any more of it. It really is as bad as you might think, and I don’t mind a bit of whoops-where’s-my-trousers-sorry-vicar farce.

So in the end I kept coming back to Edward Fox and a few film in particular:

The Shooting Party (1985)

I really don’t know much about this, other than James Mason, John Gielgud and Edward Fox star, and it’s set during a shooting retreat just prior to the First World War. I’m thinking a more intense Downton Abbey with all the female roles expunged.

The Jokers (1967)

This is a crime caper written by Ian Le Frenais and Dick Clement, and starring Michael Crawford and Oliver Reed. Hugely tempting.

A Bridge Too Far (1977)

It’s three hours long, so keeps being an almost-ran. One of these days…

The Dresser (1983)

Albert Finney and Tom Courtenay star as an aging actor and his dresser. Pretty much all set backstage during one production of Lear. It’s been on my must-watch list for years. So long in fact that I couldn’t help but pick it this time.

The Link

Edward Fox

It’s… Edward Fox. Do keep up. He had an incredible air of detached authority in The Day Of The Jackal, rumpled class in The Duellists, how will he be in The Dresser? I’m guessing louche, but we shall see.

The Dresser and me

Okay, this is one I really should have seen. I trained and worked as an actor for a few years, so should have been lapping up theatre-related films. In fact when I saw – and loved – Black Swan, one of the things I loved most about it was the realistically unglamourous way it portrayed the rehearsal/backstage process. So a film all about the backstage goings on? Surely my soya-meat and drink.

Plus, before The Dresser was a film it was a play. I’ve scoured plays for speeches and two-handers over the years, but somehow, despite knowing the setup of The Dresser, never read it.

And finally, it’s got Albert Bloody Finney in it. I need to see a lot more Finney. He’s an incredible actor, and I could watch him in Miller’s Crossing every day and not get bored. Here he is in all his glory (may spoil the finest scene if you’ve not seen it): https://www.youtube.com/watch?v=_le4xh-XV3c

IMDB says

An effeminate personal assistant of a deteriorating veteran actor struggles to get him through a difficult performance of King Lear. 7.7 stars

I says

Dresser 2

Crown him King of Actors right bloody now

Well that was a tour-de-force from Albert Finney and Tom Courtenay. My word. They both received Oscar nominations for Best Actor and I can see why. Who won? Robert Duvall for Tender Mercies. Whatever that is. Maybe we’ll tackle it soon.

Anyway, what struck me was this quote from the director Peter Yates:

“If I can make a film which will get more people to go to the theatre, I will feel I have achieved something.”

M8DDRES EC006

I can see what he means, but in a way the film had the opposite effect on me. It put me off the theatre. And that’s not because I didn’t like the film – I loved it. But the reminder of all the sweat and tears and agony that goes into putting a show on highlighted that I’m not sure it’s worth it. For the actor. And that’s probably why I’m not still acting! It’s shown as the herculean effort that it is – heightened by the particular circumstances of Albert Finney’s Sir, and bravo for shining light on the damp, cramped, fractious experience. It’d make for an interesting double bill with Black Swan – show those two to someone who you has ambitions to perform and they’ll give it all up in heartbeat.

The other film Peter Yates directed that year? Krull.

Krull

Incidentally, I was right. Edward Fox was indeed louche as Oxenby. What a cad.

The Verdict

Stunning performances and a handy reminder for me of why I shouldn’t resume life on the stage any time soon.

Coming Attractions

Well. There’s plenty more Fox in the den, so to speak. However… We’re going to see a triple bill of Paul Verhoeven films at the cinema soon – Robocop, Total Recall, Starship Troopers in that order. And those link to each other by shared actors. It’s like they’re crying out to be included in the CRFC. If we can get to Robocop in time…

So, as it’s Tim’s choice, he’s going to have a quick shufti to see how appealing that is…

@BornToPootle

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The Day Of The Jackal – The Chain Reaction Film Club

Film 46: Day Of The Jackal

Jackal 1

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

Last time we watched The Duellists, Ridley Scott’s debut film. It’s one of the best we’ve watched so far.

The Shortlist

There was no shortlist this time round. Just a very very long list. Tim struggled so much to narrow it down that he simply didn’t. Here’s what we were considering:

ShortlistShortlist 2Shortlist 3

Yeah. A fair old bit. Fortunately this was a rare case where Tim had strong hankerings for one film in particular, and so the die was cast – he picked The Day of the Jackal.

The Link

Jackal 5

Edward Fox in The Duellists

This time Edward Fox is up. Kind of like Keith Carradine last time, the Venn diagram of films he’s been in and films I’ve seen don’t really overlap. But so many of them either sound interesting or are classics I really should have seen that I’ve got a feeling we’ll be seeing more of this particular Mr. Fox.

The Day of the Jackal and me

I’ve worked out that it’s unrelated to Carlos the Jackal. I know it involves a hitman. I’m also sure it doesn’t star Bruce Willis sporting a silly moustache.

Jackal 3

Dear god, look at that thing

That’s about it. It’s one of those films that I’ve heard of (and probably nodded sagely when it’s come up in conversation to hide my ignorance) but never seen.

IMDB says

A professional assassin codenamed “Jackal” plots to kill Charles de Gaulle, the President of France. 7.8 stars.

I says

Jackal 2

The gentleman hitman…

The older I get, the more I realise that all that you really need to make a film, book, play, whatever, compelling is someone overcoming obstacles. The beauty of DOTJ is that it shows us two parallel stories – the hitman and the police. They are each trying to overcome the obstacles that they keep putting in each other’s path. That’s about it. There’s not much in the way of personal backstory – in fact the Jackal himself has no personal investment in the matter at hand other than money and professional pride. It’s amazing how enthralling it is, and an object lesson in less is more.

Jackal 4

… and the down-at-heel cop. It’s a classic combination

My grasp of French history is good enough to know that Charles de Gaulle was not assassinated, and I wasn’t expecting some kind of Inglourious Basterds-esque rewriting of history. Again, because of the simplicity of the setup that’s irrelevant. The moment-to-moment working to overcome obstacles is enough to keep engaged and on the edge of the seat.

Watching it in 2017 one of the things that most struck me was the speed of information. It moved so slowly. Sooooo slowly. At one point police went around the area they thought the Jackal might be staying in and gathered guest information from all the hotels. Then first thing in the morning it was sifted through for likely suspects. One was identified and the police swooped in. Of course this all took hours and hours so he was long gone. These days a few clicks in a database and the jig would be up. I wonder if we’re going to see an increase of things set in period because it’s easier to create obstacles – kind of like how mobile phones never work in horror films; they make escape too easy.

And, on a side note, Edward Fox sports an excellent array of cravats.

The Verdict

A brilliant setup that’s gripping in a way that it feels like we’ve somehow lost track of how to achieve in the intervening decades. Stone. Cold. Classic.

Coming Attractions

This may have been The Day of the Jackal, but we might try and have The Month of the Fox – Edward Fox had quite a few tempting films so I’m probably going to limit myself to his filmography for the next choice.

@BornToPootle