Just Fucking Doing It – An Update

Covering clothes in blood for a short film

Back in January I posted about my own writing for the first time in a while. One of the things I mentioned was a short film I had written, and I hoped to have some sort of update by the end of the Easter holidays. Well schools went back today (I can tell because my commute took twenty minutes longer than last week) and I suppose I’d better come clean about how little I’ve achieved…

Psych!

For once in my life I have actually knuckled down and got on with something properly – largely thanks to the director/co-star helping keep things ticking along. What that means is that on Saturday the two of us plus camera and sound chaps popped round to a friend’s house and spent the sunniest day of the year cooped up in a kitchen making a film. Oh, there was a little time in the sunshine covering clothes in fake blood.

Through a combination of ambition and laziness we were aiming to make the whole film (about 9 mins) one single take. Ambition because it was my first script, Kellie’s first time in the director’s chair, and I for one haven’t done any acting in seven years. Laziness because neither of us know that much about editing, so it should make that a lot easier.

I’ve been on set for short films before, but purely as an actor. It was a very different experience this time – as writer and, I guess, co-producer as well as actor (not to mention joint costume, prop, hair supervisor) it felt much more stressful. Fortunately Kel and I had rehearsed a fair bit over the previous few weeks as acting became about the last thing on my mind while sorting out all the logistics and keeping one eye the time.

Anyway, with some great assistance on the technical side we’ve managed to get something in the can. However it turns out I’m pretty pleased to have actually done something.

And that begs the question why was I doing it? If I’m honest I’d quite forgotten while I’ve been rehearsing. Partially it was an excuse to work with Kellie – she’s always been top of the long list of actors I worked with that I really wanted to do something with again. And with her leaving the country for good later this year (boo) there was a deadline (yay). Also, I’d had a ‘what if’ setup going round in my head for a while that I wanted to do something with, but it didn’t feel like a novel. I have finally remembered the other reason…

I want something I can point to for evidence of my writing. I’ve got novels at various stages, but none published, a couple of sketches that were used by Newsrevue a while back, but nothing tangible that I can direct people towards.

Some time ago I mentioned that I was trying to write a game both for my own edification and as a means of approaching the games industry with something tangible. I got a little bogged down in the technical side of things and realised that the writing in the game was suffering because of my lack of technical expertise. Since then I’ve also read that having theatre or film scripting experience can prove useful. So bam, one film I’ll be able to link to when it’s finalised. Hopefully.

I’ve also just booked on to a week long interactive fiction class at the British Library over the summer. By the time summer is over I should have a film and a couple of Twine projects to shout about.

And the novels? I had said that I intended to get a redraft of one and the synopsis of another completed by the end of April, with a view to sending both off for a professional critique. I’m just about on target at the moment, over three quarters of the way through the redraft and with a little more brain space now the filming is done.

So. Just fucking doing it is just fucking doing it for me at the moment. Maybe I should have been just fucking doing it all along.

Advertisements

The Dresser – The Chain Reaction Film Club

Film 47: The Dresser

Dresser 1

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

It was The Day Of The Jackal last time, following on from The Duellists. Can we make it three knock-outs in a row?

The Shortlist

It’s my choice this time around. Last time I suggested we might stick with Edward Fox for a while but, in the interests of completeness, I had a look through a few different filmographies. It’s disappointing how much crossover there is between The Day of the Jackal and Run For Your Wife. I’ve seen a little bit of Run For Your Wife. I will never watch any more of it. It really is as bad as you might think, and I don’t mind a bit of whoops-where’s-my-trousers-sorry-vicar farce.

So in the end I kept coming back to Edward Fox and a few film in particular:

The Shooting Party (1985)

I really don’t know much about this, other than James Mason, John Gielgud and Edward Fox star, and it’s set during a shooting retreat just prior to the First World War. I’m thinking a more intense Downton Abbey with all the female roles expunged.

The Jokers (1967)

This is a crime caper written by Ian Le Frenais and Dick Clement, and starring Michael Crawford and Oliver Reed. Hugely tempting.

A Bridge Too Far (1977)

It’s three hours long, so keeps being an almost-ran. One of these days…

The Dresser (1983)

Albert Finney and Tom Courtenay star as an aging actor and his dresser. Pretty much all set backstage during one production of Lear. It’s been on my must-watch list for years. So long in fact that I couldn’t help but pick it this time.

The Link

Edward Fox

It’s… Edward Fox. Do keep up. He had an incredible air of detached authority in The Day Of The Jackal, rumpled class in The Duellists, how will he be in The Dresser? I’m guessing louche, but we shall see.

The Dresser and me

Okay, this is one I really should have seen. I trained and worked as an actor for a few years, so should have been lapping up theatre-related films. In fact when I saw – and loved – Black Swan, one of the things I loved most about it was the realistically unglamourous way it portrayed the rehearsal/backstage process. So a film all about the backstage goings on? Surely my soya-meat and drink.

Plus, before The Dresser was a film it was a play. I’ve scoured plays for speeches and two-handers over the years, but somehow, despite knowing the setup of The Dresser, never read it.

And finally, it’s got Albert Bloody Finney in it. I need to see a lot more Finney. He’s an incredible actor, and I could watch him in Miller’s Crossing every day and not get bored. Here he is in all his glory (may spoil the finest scene if you’ve not seen it): https://www.youtube.com/watch?v=_le4xh-XV3c

IMDB says

An effeminate personal assistant of a deteriorating veteran actor struggles to get him through a difficult performance of King Lear. 7.7 stars

I says

Dresser 2

Crown him King of Actors right bloody now

Well that was a tour-de-force from Albert Finney and Tom Courtenay. My word. They both received Oscar nominations for Best Actor and I can see why. Who won? Robert Duvall for Tender Mercies. Whatever that is. Maybe we’ll tackle it soon.

Anyway, what struck me was this quote from the director Peter Yates:

“If I can make a film which will get more people to go to the theatre, I will feel I have achieved something.”

M8DDRES EC006

I can see what he means, but in a way the film had the opposite effect on me. It put me off the theatre. And that’s not because I didn’t like the film – I loved it. But the reminder of all the sweat and tears and agony that goes into putting a show on highlighted that I’m not sure it’s worth it. For the actor. And that’s probably why I’m not still acting! It’s shown as the herculean effort that it is – heightened by the particular circumstances of Albert Finney’s Sir, and bravo for shining light on the damp, cramped, fractious experience. It’d make for an interesting double bill with Black Swan – show those two to someone who you has ambitions to perform and they’ll give it all up in heartbeat.

The other film Peter Yates directed that year? Krull.

Krull

Incidentally, I was right. Edward Fox was indeed louche as Oxenby. What a cad.

The Verdict

Stunning performances and a handy reminder for me of why I shouldn’t resume life on the stage any time soon.

Coming Attractions

Well. There’s plenty more Fox in the den, so to speak. However… We’re going to see a triple bill of Paul Verhoeven films at the cinema soon – Robocop, Total Recall, Starship Troopers in that order. And those link to each other by shared actors. It’s like they’re crying out to be included in the CRFC. If we can get to Robocop in time…

So, as it’s Tim’s choice, he’s going to have a quick shufti to see how appealing that is…

@BornToPootle