Risky Business – The Chain Reaction Film Club

Film 71: Risky Business

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor. We’re looking for classics we’ve missed, hidden gems, oddities and films to reappraise now we’re, uh, getting older.

Previously On…

Hackmania 2017 is over, six Gene Hackman films were watched and the winner was… Me and Tim of course, we got to watch six Gene Hackman films. Read about them here and here.

The Shortlist

Timecode (2000)

Risky Business (1983)

Collateral (2004)

Into The Wild (2007)

Once Around (1991)

Thunderbolt and Lightfoot (1974)

The Link

Tom Cruise

Tom’s the one on the right

He’s a funny old one, isn’t he? There are some massive Tom Cruise films I’ve never seen, but plenty I have – Legend, Interview With The Vampire, Born on the Fourth of July, Mission Impossible and A Few Good Men all hit when I was at impressionable ages. He’s never less than solid, he’s seldom more than engaging. Oblivion is dull as ditchwater but he holds it together well enough, whereas Edge of Tomorrow (or All You Need Is Kill, or Live, Die, Repeat) was a surprise pleasure. And boy does he look good running.

Risky Business and me

I know the scene from Risky Business. Well, not really the scene. The shot. I know that shot where Tom Cruise slides into shot in his undies. But that’s about it.

I assume it’s a sort of Ferris Buellery thing, but I haven’t seen that either. The whole 80s American teen thing has never really tickled my fancy. I have seen Breakfast Club, that’s one… and… does Lost Boys count? I saw that once… St Elmo’s Fire? Nope. Pretty In Pink? Nope. Sixteen Candles? Fast Times At Ridgemont High? Weird Science? Noooooooooooooooope.

IMDB says

A Chicago teenager is looking for fun at home while his parents are away, but the situation quickly gets out of hand.

I says

Firstly, and most importantly, someone sound the Raphael Sbarge alarm.

Mr. Sbarge on the right

I didn’t even recognise him, he’s so young in it. My love for Mr Sbarge stems from his dulcet tones playing Carth Onasi in the game Star Wars: Knights of the Old Republic. The game itself is fab and directly led to the Mass Effect and Dragon Age series, and the joys of romancing NPCs in games. Largely down to how frickin’ great Raphael Sbarge’s voice acting was. That game man, that and Fable hooked me back into gaming which has become one of my great pleasures.

Anyway. Just imagine the Raphael Sbarge alarm is going off through the rest of this. Next up, Curtis Armstrong. Sure, Tom Cruise looks like Tom Cruise and is all eyes and grin, but I want a film about Curtis Armstrong’s character. He has moxie, chutzpah and other such words. He looks like a slacker, has moxie and is going to Harvard. He sets everything in motion only for Tom Cruise to slide into the frame in his undies and steal the film away.

What’s that I can hear under the Raphael Sbarge alarm? Why, it’s only the Joe Pantoliano alert!

We last saw Joey Pants in buddy cop romp Running Scared. He played a whiny criminal. And here? A whiny (yet slightly smooth) pimp. You need whiny? Get Pants.

And then I suppose we ought to talk about Tom Cruise… He looks almost no different in this than he did in The Firm, despite the intervening years. And he didn’t look that different in The Firm to how he looks now. That’s some dark magick he’s involved in. He’s Tom Cruise. He turned up fully formed. After the scene where he slides in in his undies he dances around the house, ending up throwing himself onto the sofa and gyrating. He was always that Tom Cruise – Oprah shouldn’t have been a surprise.

And the film? That ol’ thing? It’s not what I was expecting. It’s almost a teen sex comedy, and it’s almost something quite searing about capitalism. The Tangerine Dream score makes the film seem like it’s meant to be taken more seriously than I thought, backed up by the odd slow-mo shot. Tom Cruise getting a call-girl because he doesn’t seem able to get a date makes it seem like it’s meant to be taken less seriously. It reminded me of Wolf Of Wall Street in an odd way. It’s up to us to find Cruise reprehensible, the film isn’t going to do it all for us. But the camera zooming in on the black of the sunglasses lens / Cruise’s soul did enough to flag up the intentions. In a society that’s teaching kids to commodify everything, of course making a quick buck from pimping out prostitutes follows.

The Verdict

Wolf of Wall Street: The College Years

Coming Attractions

It’s my choice next, and I’ve got plenty to pick from. As I mentioned earlier, there are some really big Tom Cruise films I should have seen, but then there’s also Raphael Sbarge… He’s not actually in that many films, appearing more on TV and voiceovers. If I’m in the mood for whininess I’m sure Joe Pantoliano is prolific. And there’s also Rebecca De Mornay, the hooker with a heart of gold in Risky Business, who I don’t think I’ve seen in anything else at all… Who knows!

@BornToPootle

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Streets Of Fire – The Chain Reaction Film Club

Film 43: Streets Of Fire

Streets of Fire 03

The Rules

My chum Tim and I watch a film every week, taking it in turns to pick. The only catch? Each film has to be linked to the previous one by a shared actor.

Previously On…

Last time we watched The Aviator, a Howard Hughes biopic that reaffirmed my ambivalence towards biopics.

The Shortlist

There’s only one film on the list this time:

Streets Of Fire (1984)

The Choice

A mutual friend of mine and Tim’s suggested we catch this at the cinema as part of CRFC, and having looked it up briefly, there was no way we could refuse.

The Link

Streets of Fire 02

Willem Dafoe’s face is just amazing. What’s even more amazing is that he has succeeded in playing some non-villain roles with that face. And he’s been great in them too – Sgt Elias in Platoon is the obvious one. But then it turns out he’s a stage actor, with links to experimental theatre groups, so it shouldn’t come as much of a surprise that he can do pretty much anything.

His filmography highlights his love of experimenting too – there are the big things like Platoon, Spider-Man etc. But then there’s the weirder stuff too – Nymphomaniac, Antichrist, The Last Temptation Of Christ. It’s hard to think of another actor who’s career spans such a broad range of projects, from kids’ animation to erotica to Hollywood blockbuster to arthouse indie.

Streets Of Fire and me

Never seen it, never heard of it. A cursory glance tells me it’s from the director of The Warriors, which is exciting. The Warriors is ace. And Jim Steinman is involved, which makes me think of Meatloaf and later era Sisters Of Mercy. And I like that very much. There are also biker gangs.

I’m trying hard not to get too excited.

IMDB says

A mercenary is hired to rescue his ex-girlfriend, a singer who has been kidnapped by a motorcycle gang. 6.7 stars.

I says

Streets of Fire 04

Let’s be very clear up front: Streets Of Fire is not very good. Not very good at all.

Michael Pare as Tom Cody is just awful, and unfortunately is the lead. It’s not that he’s wooden, he aspires to wood. That’s not the end of the problems though. The editing is jarring, the action stilted, the costumes mind-bending. It makes very little sense.

And yet…

It starts with the words: ‘A Rock and Roll Fable.’ Swiftly followed by ‘In another place and another time’. And then the Jim Steinman-penned Nowhere Fast starts. The film takes place in a kind of 50s/80s hybrid place that could be a city, could be the whole of the world. When the main characters drive from one place to another it goes from day to night and back to day again. Two of the leads are ex-military and it’s clear there have been wars recently. Everything has a burnt out look about it.

It has a certain style. It’s the first draft of something great. It’s Mad Max Fury Road made by amateurs.

Which is weird because by this point Walter Hill had already directed six films, including The Warriors and 48 Hrs, so plainly he knew what he was doing.

There are stories from the casting that mean things could have been very different – Tom Cruise was the first choice for the lead, but accepted a different role just before being signed up. But then again the role of the plucky mechanic McCoy, the standout performance in the film from Amy Madigan, was written as and intended for a man (interesting, but not surprising, that the only decent female role in the film was meant for a man).

They originally wanted a Bruce Springsteen song to close the film, but two days to the deadline and the rights didn’t come through. They then approached Jim Steinman to write a couple of songs in a couple of days, and I think that was a blessing. Steinman’s songs are as over the top and histrionic as any of his output with Meatloaf. The closing song is called ‘Tonight Is What It Mean To Be Young’ for god’s sake.

Streets of Fire 06

Here’s the chorus of Nowhere Fast:

‘You and me we’re goin’ nowhere slowly

And we’ve gotta get away from the past

There’s nothin’ wrong with goin’ nowhere, baby

But we should be goin’ nowhere fast’

Great, slightly silly, stuff. And that’s what the film is like. The music sets the tone. Why is evil biker Willem Dafoe wearing fishing waders? Why does he walk back into the fire? Why is Bill Paxton… like that? Why does Tom Cody right hook his sweetheart? Listen to the music and it all starts to make sense.

Almost.

Streets of Fire 01

It almost makes sense…

The Verdict

Terrible… but enticing. While the film is clearly going nowhere, at least it’s going nowhere fast.

Coming Attractions

We’re back to normal service now. It’s Tim’s choice and he’s got a surprisingly good cast to choose from: Dafoe, Diane Lane, Ed Begley jr, Grand Bush, Paxton… And in 2008 a sequel to Streets Of Fire came out, also starring Michael Pare… just sayin’.

@BornToPootle