Or, making an example of myself…
Welcome to the latest in my series on trying to get published for the first time. As promised in my last post, this time I’m going to post the query letter I’ve been sending out to agents.
Before I do, I thought I’d share just a few of the basics of querying – I’m no expert, as this blog attests to, but I did a fair bit of research before writing mine, and a fair bit of redrafting before sending it. Also, those of you who aren’t trying to (or succeeding at) getting published may be interested in the background.
As I’m pretty sure I’ve mentioned in a previous post, by and large there are three things that should be sent to agents. The first is a query letter, the second is the first three chapters of the novel and the third is a synopsis of the rest of the novel. And that’s most likely the order they’ll be read in. Query letter first, if that piques their interest then they’ll have a read of the goods, and if they’re intrigued by that then they’ll have a look at the synopsis to see if your grasp of plotting is as hot as your writing voice.
The query letter itself has (and again, I’m basing this on a load of research rather than any actual expertise) three jobs: introduce the novel, sell the novel, introduce the author. And all of that in somewhere between 150 and 350 words depending on which source you follow. The ‘selling the novel’ aspect can cover anything from who it’s aimed at, why it’s culturally relevant now, anything that could be used as PR, authors it may sit alongside (opinion is divided on this – it can sound egotistical, but if it comes across as if you’re giving a clue as to the audience that may be interested rather than saying you’re as good as a master of the genre then it’s a good shorthand) and all manner of other bits and bobs. The other two parts – introducing the novel and introducing the author – are a bit more self explanatory and it’s the former of the two that is more important than the latter.
I’m posting this both to see what you think (having not read the novel you won’t know whether it’s an accurate intro to it, of course) and as another example people can stumble across online – the more examples the merrier, I discovered while I was scouring t’interweb for hints. So, enough waffle. The only thing to be aware of is that I would add a sentence in to explain why I’ve specifically targeted the agent I’ve sent it to. Here it is: