Or, how to learn a lesson
This is the latest in my series on trying to get published for the first time. In the last post I talked about changing the synopsis and query letters ahead of sending out a second batch of letters to agents… Was it time well spent? Not in one case…
As I’ve already mentioned elsewhere, the turnaround times for expecting a reply from an agent is something like 6 – 8 weeks which, given the number of unsolicited submissions they receive each week, doesn’t seem too unreasonable (though it is of course nerve-shredding). I just received a reply, or should I say rejection, in under twelve hours – query sent at 9:30pm, rejection received at 9:01am. Do I take from this that the agency are very quick at reading submissions, or is there something else? Was there something in the initial few sentences of my query that put them off? I think it was the latter, and I’m going to tell you why. I promised at the beginning I’d share my blunders with you, so here’s a good one.
My novel is set in a real small town in the UK. It’s the one I grew up in, though these days I live in London. When researching agents I discovered that one agency is based in a village just outside this small town. The only trouble is that they specify on their website that they don’t normally handle sci-fi or fantasy. While my novel (and general taste) isn’t out-and-out high fantasy, it’s definitely closer to fantasy than any other genre. ‘Urban fantasy’ is how I’m describing it genre-wise in my query letters, though I do make it clear it’s set predominantly in the real world. So I weighed up the pros and cons, and decided it was worth a go. I submitted my novel to this particular agency, mentioning in the first couple of sentences that it was set in this particular small town and may therefore be of specific interest. But it seems not.
While I don’t think it was a mistake to send it to them per se, I do think it’s worth me remembering that primarily agents need to engage with the characters and story. The rest is glorified set dressing, in effect (though of course I’d argue it’s absolutely integral). I’m not a fan of gritty crime drama and while a gritty crime drama set in my home town would pique my interest slightly more, it’s unlikely it would make me suddenly fall in love with the rest of the trappings of the genre. And I want/need an agent who’ll fall in love with my story just as much as I love it. That’s what my novel deserves and I’d do well to remember not to undersell it on a gimmick.